October 16, 2014
Interview with Tom Daymont
Minneapolis , MN
Recently I became
aware of two videos taken at cross country meets using drone
technology to film the events. The first was from a high school
meet in Utica Park , Maryland, and though filled with noticable
editing flaws, it had sections that were truly inspiring and caused
me to make several comments about it to the Penn State Track and
Field Alum website that had linked it.
http://psutafalumnigolf.blogspot.ca/ I put the link on our site and within a few hours someone wrote
and said basically that if you think the Maryland meet was good, you
ought to see this one.
http://vimeo.com/106892627
When I opened this link, I couldn’t believe my eyes. The video was from the 2014 St. Olaf College Invitational Meet in Minnesota. The photography was stunning, the mass of runners at the start funneling into a narrowing outlet to the course, the colors, the Fall leaves, the trail cut through prairie grass and then through a wooded area flanked by a giant wind turbine. The placement of the camera was such that the photographer/director obviously knew the course very well. I could have sworn somebody was filming from a giant water tower, the picture was so steady. Additionally a musical score was added to the film. I knew then I wanted to talk to the person who had put this together.
When I opened this link, I couldn’t believe my eyes. The video was from the 2014 St. Olaf College Invitational Meet in Minnesota. The photography was stunning, the mass of runners at the start funneling into a narrowing outlet to the course, the colors, the Fall leaves, the trail cut through prairie grass and then through a wooded area flanked by a giant wind turbine. The placement of the camera was such that the photographer/director obviously knew the course very well. I could have sworn somebody was filming from a giant water tower, the picture was so steady. Additionally a musical score was added to the film. I knew then I wanted to talk to the person who had put this together.
Tom Daymont and His Production Crew and Equipment at the St. Olaf''s Invitational Cross Country Meet |
Backtracking through the internet I
found that Tom Daymont in Minneapolis had produced this film. I
contacted him online, and he agreed to talk to me about the making of
the video. When I investigated a little further, I learned that
Tom’s mother, Chris Daymont is the longtime cross country coach at
St. Olaf’s. Tom attended St. Olaf’s and competed on the soccer
team. He referred to himself as the family black sheep who didn’t
run cross country or track.
On our website, Gary Wilson, former
coach at U. of Minnesota and meet director of the Roy Griak cross
country meet wrote to us mentioning that he had wanted Tom to film
this year’s Griak meet, but they couldn’t get clearance from
campus security in time to set up the filming. Hopefully this will
not happen next year.
Speaking to Tom Daymont I learned the
following. This was Tom’s first go at filming a cross country meet.
He’s been flying drones and doing filming for about two years. He
has shot a lot of stills and likes to photograph buildings and
monuments as well. When asking him about restrictions in filming, I
already knew a bit from some internet research. Obviously you cannot
fly around an airport (not closer than 1.5 miles), definitely not
over a military base, and surprisingly not over a national park. He
also informed me that FAA regulations restrict hobbyist flying higher
than 400 feet above ground level. Most of the film of the cross
country meet was at 300-350 feet. There is software on the drone
that lets the pilot know when he is approaching maximum allowable
ceiling. Tom controls the drone with basic controls and monitors the
view with a separate 7” screen that he can view while he is flying.
Tom’s girlfriend worked with him during the meet watching what was
going on from ground level in case Tom lost visual connection. From
the video you can conclude that they obviously knew the course very
well. A battery only lasts about 15 to 20 minutes, so to film even
the shortest cross county event you will have to bring the aircraft
down and refuel ie. change batteries. In terms of dollars Tom
figures you would need to invest about $2,000.00 in drone, software,
batteries, camera etc. to make a film of this caliber. He currently
flies a DJI Phantom II drone, with a Go Pro camera mounted.
Asking him how the picture is kept so
steady, he relayed that there is a device on the drone called a
gimbal (more $$$) that levels the camera. What about wind? If the
wind is under 15 mph, he can fly. The drone also has a GPS system to
help keep it in the right place and even program a flight path.
Want to go cheaper, like the drone that
costs $79.95 online, you probably won’t even be able to take it
outside, and it won’t be powerful carry a high quality camera.
About other events or things he would
like to film, Tom’s answer was events where people don’t
generally get the aerial point of view. Getting that view from a
whole new perspective is so interesting. He’d like to film a
marathon someday. He also would like to film some golf courses,
perhaps to promote themselves on a website. Sounds easy, yes? No.
For a golf course you have to work in the daytime when there is light
to film. Unfortunately golfers want to play in the daytime from the
crack of dawn. The drones are somewhat noisy, and you don’t want
to upset the golfers, so finding adequate time to make film is always
a challenge for filming golf courses.
When I asked Tom about gatecrashers to
big events that are open air, he mentioned that there are usually fly
over restrictions to those kind of events. I’m also reminded of a
recent international soccer match between Serbia and Albania that got
stopped and then canceled when someone flew a drone carrying some
kind of inflammatory message on a flag over the game and down onto
the playing field.
Despite the downsides to the
technology, the upsides seem to more than outweigh the them.
At this point in time, there are a lot
of commercial enterprises offering to film sites on the ground. I
don’t know the quality of their work. I only know that what I’ve
seen of Tom Daymont’s work, I find it extraordinary . Good luck
with the Griak meet in 2015. We’ll be watching for it.
Here is a link to a clip of some of Tom Daymont's other work. vimeo.com/109205657
For more info on challenges of filming cross country with a drone go to :
http://psutafalumnigolf.blogspot.ca/2014/10/if-this-guy-keeps-talking-about-drones.html
For more info on challenges of filming cross country with a drone go to :
http://psutafalumnigolf.blogspot.ca/2014/10/if-this-guy-keeps-talking-about-drones.html
1 comment:
When I first put the link on the blog I was aware that this was the beginning of something quite profound. I wished I could find out more about it and report it like it should be reported. Lo and behold George has done that for us. Thanks for following up on it in such a good way. The cordial relationship between our somewhat dissimilar blogs leads to a result that is synergistic, 1 + 1 = 3, as it were. I am in your debt and will link to this post with pride.
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